Modernism in Forsters A Passage to India Essay -- Forster Passage to

Modernism in Forsters A going to India When considering the novels of E.M. Forster, it is natural to callback the reserved landscapes of the Merchant and Ivory cinematic versions. Gauzy images - green hills, languid boat rides, t breaker embraces - these impressions, cousins, really, to Jane Austens plots and settings, are remembered as period pieces seldom associated with the literary experimentation of Virginia Woolf or the winsome angst of the lost War poets. It seems - does it not? - the movies end happily with the appropriate pairing of couples. But Forster should not be lumped in with re setative Edwardian literature or with cinematic bliss. In enunciate to analyze the worth of Forsters literary contribution, our impressions of the films must be put deflexion so that the textbooks echo can rattle in our ears. And once the mediums are pried apart and banished to separate corners, a novel same(p) A line of achievement to India stands alone and can be admir ed for its complex study of raft who interact in an unfamiliar landscape, a landscape that ignores humans entirely. This text is not about good breeding, dowries, or happy endings. With its multiple perspectives, soft personal connections, and symbolic caves that house an echo of nothingness not every(prenominal) character can hear, A Passage to India is Forsters own quiet interlingual rendition of Modernism. He does not try, as do Woolf, Joyce, and Eliot, to break free from tired English fictive forms. Instead, Forsters text contains an innovative, urgent assertion that the core of things like love, friendship, and self-knowledge are perpetually capable of collapsing, yet are valuable in spite of their fragility. His work demonstrates the individuals need to connec... ...nd Joyce are not directly present in A Passage to India, and while Forsters fictive structure top executive not be as experimental as theirs, his novel stands articulatio humeri to shoulder with other modernists who in a little flash of lighten up detect hidden glimmers beneath the stacks of words that comprise the commonplace story, the self-deception, the quiet conversation with a friend in a moonlit mosque. Works Cited Forster, E.M. A Passage to India. unused York Harcourt Brace, 1924. ---. What I Believe. Modern British Literature. Eds. John Hollander and Frank Kermode. New York Oxford, 1973. 624. Rutherford, Andrew. Introduction. Twentieth Century Interpretations of A Passage to India. Ed. Andrew Rutherford. New Jersey Prentice Hall, 1970. Scherer Herz, Judith. A Passage to India Nation and Narration. New York Twayne, 1993.